This comparison is less about one matching SKU and more about screen-material strategy. NothingProjector centers the Black Series around a lenticular UST ALR surface, while VIVIDSTORM's fixed-frame catalog spans both Fresnel and lenticular UST choices up to 150 inches.
| Criterion | NothingProjector Black Series | VIVIDSTORM fixed-frame UST families |
|---|---|---|
| Large-size range | Black Series available up to 150" | Catalog lists fixed-frame options up to 150" |
| Optical approach | Lenticular Black Series | Fresnel and lenticular families |
| Gain | 0.6 published for Black Series | Varies by VIVIDSTORM material; verify the exact SKU |
| Viewing angle | 170° published | Varies by material; verify the exact SKU |
| Installation format | Wall / fixed-frame category | Fixed-frame catalog; VIVIDSTORM also sells motorized formats |
| Main choice | A specific 0.6-gain lenticular profile | Choice between material families and screen mechanisms |
Lenticular vs Fresnel is the more important question
Lenticular UST screens typically prioritize a wide horizontal seating area while rejecting light from above. Fresnel screens use a more directional optical structure and can provide stronger brightness/light rejection in the intended viewing zone, often with a narrower viewing cone. That tradeoff can matter more than the logo on the frame.
If your room has a wide sectional sofa and viewers sit far off-center, the Black Series' published 170° angle is relevant. If your room has a narrower seating zone and you are prioritizing directional brightness in heavy ambient light, a Fresnel option deserves comparison.
Research basis checked September 16, 2026: NothingProjector Black Series pages and VIVIDSTORM fixed-frame screen catalog / manuals. Exact VIVIDSTORM specifications vary by screen family.
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